But as sheer entertainment, Depression-era audiences were enthralled. Holt returns to civilization (he would return in the sequel, TARZAN AND HIS MATE) and Tarzan, Jane, and a recovering Cheeta start an exciting new life together! Yes, the story is unintentionally campy, the 'apes', and animal fights, unconvincing, and there is blatant racism throughout the film. As the ever-available stampede of elephants mash the dwarves into pulp, Tarzan leads the dying Parker, Jane, and Holt to the 'Elephants' Graveyard', where Jane's father passes away. Holt is knocked unconscious, Parker is mortally injured, Cheeta is tossed against a wall, and Jane swoons in the gorilla's arms (shades of KING KONG), then Tarzan busts in, to kill the ape and save them all. The safari is soon captured by a height-challenged native tribe ('Are they Pygmies?' Jane asks 'They're dwarves,' her father replies.uh, whatever.), and a gruesome scene ensues of the surviving members being lassoed and dropped into a pit with a giant gorilla (a not-quite convincing guy in an ape suit). Tarzan returns Jane, and walks away, despite her pleas to return to civilization with them.

Jungle animals spirit the bleeding jungle lord away.and Jane is soon at Tarzan's side, bandaging his head, and looking lustily at the big lug! When he recovers, the pair consummate their passion (in a scene tastefully off-camera), and are swapping names ('').

Displaying the racism prevalent in so many 30s films, Jane tries to defend her erstwhile kidnapper to her father ('He's WHITE!'), but the two hunters aren't buying it, and soon wound Tarzan, himself. Holt kills the ape guarding Jane (one assumes it is Kala, ape 'mother' of Tarzan, in the ERB books), and Tarzan screams in anguish at his loss. While initially terrified of the savage (particularly as he pulls off her clothing parts to examine them), he doesn't 'have his way' with her, and she realizes he is far more sensitive than she'd assumed. He soon kidnaps Jane (he may be ignorant, but he's not dumb!), and the incredible chemistry between the pair is exhibited for the first time. He is simply magnificent.tanned, slim, smoothly-muscled (as opposed to the brawny body builders later cast in the role) and nearly naked. All this leads up, of course, to Johnny Weissmuller's first appearance as Tarzan, observing the party from the trees. A treacherous river crossing, featuring stock footage of hippos and crocodiles, then costs the safari more bearers, with another yell saving their lives. After losing a porter, and nearly Jane, on the steep climb, the summit is achieved, and the famous Tarzan yell (a combination yodel/howl, created by MGM's sound department), is first heard. (How a massive mountain range could be hidden, for so long, is not explained). When a dying porter points the way to the Escarpment, a massive 'taboo' mountainous plateau protecting the Graveyard, the party has the missing piece to the puzzle, and begin an arduous climb to the top. The arrival of Parker's daughter, Jane (O'Sullivan), a free-spirited, raven-haired beauty, complicates matters, but her stubborn refusal to lease, and confidence with the natives (shown as rear projections behind Smith and O'Sullivan) finally win the two men over, and soon the trio, accompanied by whip-induced native labor, are on safari. Aubrey Smith and 20s matinee idol (and future 'Batman' regular) Neil Hamilton were introduced, as James Parker and Harry Holt, adventurers questing after the legendary 'Elephants' Graveyard'. A success? Thalberg created a legend! Utilizing MGM's vast library of stock footage (primarily from 1931's TRADER HORN), a primordial Africa that was more pulp fiction than reality was created on the back lot, and veteran British character actor C. Van Dyke), introduce charismatic actors as the leads (28-year old multiple Olympic champion Johnny Weissmuller and 21-year old Irish import Maureen O'Sullivan), and create a 'definitive' success for the studio. TARZAN THE APE MAN was one of Irving Thalberg's 'pet' projects at MGM, an opportunity to take an existing franchise (Edgar Rice Burroughs' jungle lord had been a film staple since beefy Elmo Lincoln donned a loincloth, in 1918), give it 'A'-list production values and a 'name' director (W.S.

Tarzan the ape man